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The ability to scale and transform your artwork gives you access to a whole world of expressive possibilities. The Transform pane of the Properties panel displays the Render Transform tools, which include six features for transforming objects. They are: n Scaling: You can use scaling to create replicas of your shapes and paths in different sizes, which can create the effect of repeating the visual theme of your work in an appealing way. n Flipping: You can use flipping to add symmetry to your vector art. For example, you can copy a path and flip it, then group it to create a symmetric object. n Skewing: Skewing may make your object look more dynamic, just as italic type makes text look more dynamic. n Rotating: Can be used to create sophisticated imagery. n Positioning the center point: The center point is the point around which the object rotates. n Positioning the object: Precise positioning is often the difference between a professionallooking design and an amateurish one.

One of my favorite design patterns, that I don t see used often enough, is the supertype/subtype pattern. It supports generalization, and I use it extensively in my designs. The supertype/subtype pattern is also perfectly suited to modeling an object-oriented design in a relational database. The supertype/subtype relationship leverages the one-to-one relationship to connect one supertype entity with one or more subtype entities. This extends the supertype entity with what appears to be exible attributes. The textbook example is a database that needs to store multiple types of contacts. All contacts have basic contact data such as name, location, phone number, and so on. Some contacts are customers with customer attributes (credit limits, loyalty programs, etc.). Some contacts are vendors with vendor-speci c data. While it s possible to use separate entities for customers and vendors, an alternative design is to use a single Contact entity (the supertype) to hold every contact, regardless of their type, and the attributes common to every type (probably just the name and contact attributes). Separate entities (the subtypes) hold the attributes unique to customers and vendors. A customer would have a tuple (row) in the contact and the customer entities. A vendor would have tuples in both the contact and vendor entities. All three entities share the same primary key, as shown in Figure 3-10. Sometime data modelers who use the supertype/subtype pattern add a type attribute in the supertype entity so it s easy to quickly determine the type by searching the subtypes. This works well but it restricts the tuples to a single subtype.

Listen is the most flexible, so it is probably the one you want to use the most. A common error when using Listen is to specify a port on all IP addresses (*:80) as well as that same port on a specific IP address (1.2.3.4:80), which results in the error from make_sock.

7.2104 2.0746 8.1893 7.2135 2.2931 15.4028 2.0747 13.2180 2.2931 8.7395 2.0746 17.6970 2.1838 7.7562

4 Right-click on a video in the Project panel and choose Insert You can size it very small, choose Tools Make Brush Resource Make Visual Brush Resource, and click OK (If you want to hide the video, you can cover it with a rectangle that is the same color as the window background, but deleting it also deletes the visual brush) 5 To apply the visual brush to the 3D plane, click the Selection tool and select Model in the Objects list It s nested in Content, which is nested in ModelContainer, which is nested in Viewport3D In the Materials palette in the Properties panel, click in the Material swatch, click the Brush Resources button, and choose the visual brush that you created in step 4 6.

The user will see an empty text field with a button, but when you check the source of this page, you ll see the hidden field with the value Smart Cooking.

You can test it by pressing F5, then choose Default as the Timeline and repeat steps 2-6 to add as many videos on 3D planes as your application requires 7 To animate a 3D plane, click the Create New Timeline button, select a Viewport3D, and click the Record Keyframe button Then move the playhead forward in time, and move the Viewport3D to a new location You can also click the Camera Orbit tool, and click and drag on the 3D plane to rotate the plane in 3D space You can continue to move the playhead forward and change the location and 3D angle, creating as many keyframes for your animation as you like To loop forever, right-click on the gray time span bar on a track, choose Edit Repeat Count, click the Loop Forever button, and click OK Click the Turn Off Record Mode button when you are finished.

(If Edit Repeat Count does not appear, then click the expander to view more levels of the tracks and try again) 8 Press F5 to test your 3D animated video..